The Resonance Gap
About
In an infinite universe, what happens when you become a God?
In the year 2244, humanity doesn’t travel through space; they broadcast through it. Using a technology called “Phase-Shifting,” a person’s consciousness is digitized, beamed at light-speed to a distant colony, and downloaded into a bio-printed “Sleeve.” The original body is humanely recycled. It is fast, efficient, and - according to the Global Transit Authority - 100% lossless.
“It’s not a copy,” the advertisements claimed. “It is you, reorganized in a new location.”
When humanity trades its physical bodies for digital immortality, a signal forensicist discovers that the souls left behind have become a vengeful “Static Hive” threatening to delete reality itself.
In the year 2244, death has been “patched out.” Through Phase-Shifting technology, the Global Transit Authority (GTA) digitizes human consciousness and beams it at light-speed to bio-printed “Sleeves” on distant colonies. Interstellar travel is a miracle of 100% lossless transition - or so the glossy advertisements claim.
Kayla Vance, a signal forensicist with a rare “signal sensitivity” that makes digitization physically nauseating, is one of the last “Originals.” Her job is to scrub the digital artifacts of the elite, but she knows the GTA’s dark secret: the original body isn’t reorganized; it’s recycled, and the soul doesn’t always follow the data.
When Kayla uncovers a “Ghost Packet” - a six-second temporal wound in a high-priority diplomat’s transit - she triggers a war that spans dimensions. Kayla must navigate a lethal game against Director Ari Thorne, the architect of a system that silences the screams of failed transmissions in a subspace buffer known as the Gap. But the Gap is full. It has become the Static Hive, a pressurized graveyard of discarded consciousnesses ready to overwrite the biological world.
THE RESONANCE GAP is part speculative Science Fiction and part Philosophical Space Opera, taking place in a universe which is both known and unknown.
“Compelling, fascinating, and page-turning!”